TRILOGY

In stark black and white, Davies excavates the life of his fictional alter ego, Robert Tucker, in a narrative that slips between childhood, middle age and death, shaping the raw materials of his own life into a rich tapestry of experiences and impressions. Over the course of these three films, we witness the emergence of Davies' singular talent and style, the refinement of his technique, and a director growing in confidence, soon to become feted as British cinema's greatest film poet.